In my last post, I referenced a few examples of our BCPS Online Research Models (ORMs) for extended, in-depth research, which our Office of Digital Learning Library Media team has been designing using the eight phases of the GID model since 2012. I’d like to share in a little more detail how one of our ORMs was completely transformed at last summer’s 2016 Curriculum Workshop using the GID model. In 2001, our BCPS Office of Music requested a research model on Native American music for the Grade 8 American Music curriculum. As a library media specialist on the ORM curriculum writing team that summer, I co-designed an ORM titled First Music, First Nations—it was the first research model I ever designed. Courtesy of the Internet Archive’s Wayback Machine, I can show you the Webpages for the original 2001 version of the “First Music, First Nations” ORM — even though I’m extremely embarrassed to do so!
As you can see, we were using our own research process steps at the time: Scenario, Task & Product, Assessment, Question, Gather, Organize and Conclude. This ORM has a nice poem at the top (but no connection to the poem is made anywhere in the process), and lots of “cutesy” clip art of Native Americans, drums, etc. The Scenario and Task & Product were NOT authentic or engaging —how many 8th graders would seriously be excited at the prospect of being a museum curator for the Smithsonian Institute? Students were asked to select from 5 research topics about traditional Native American music (Instruments, Pow-wows, Dances, Songs, or Ceremonies), take notes using resources including targeted Websites, and create a “display” of some sort; usually students made a diorama or something like that. Believe it or not, this ORM remained virtually unchanged (except for updating broken resource links) until summer 2016. THEN, with some new leadership in the Office of Music and new state learning standards for Music education, our team was asked to do a much-needed revision last summer.
The result was the new ORM, Native Dreams: Contemporary Native American Music. This research model benefitted in SO many ways from our use of the GID model.
First and foremost was our consideration of “Third Space” to make real-world connections to the content for students. We focused on contemporary Native American music artists and framed the research around the overarching Inquiry Question: How is contemporary Native American music both an expression of traditional culture and a powerful force for change? The musicians we featured have fused traditional Native American sounds, instruments, etc. with contemporary genres that are familiar to our students – hip-hop, rap, pop, EDM, heavy metal, etc. These music artists are also passionate about social justice and the issues facing Native Americans; these are issues that many of our students and their families/communities are facing themselves. We found articles, music videos, and songs online for students to read, view, and listen to as they did their research.
As we always do now, we included many GID tools for students to use throughout the process—Inquiry Journals, Inquiry Logs, Inquiry Circles, etc. We also included student choice of topic selection in the Explore phase, and choice of presentation formats in the Create phase. In the Share phase, students are asked to apply their learning from their own research and from each other’s presentations in a culminating activity, by responding to a quote from one of the musicians featured in the research model (in their Inquiry Journals and then in a discussion with Inquiry Circles and the whole Inquiry Community):
In the Rebel Music: Native America video episode you saw in the Immerse phase of this research, Native American rapper Frank Waln said: “The music is my shield and my weapon.”
- What do you think he means? How does this statement relate to music as both an expression of traditional culture and a force for positive change?
- How is this statement true for the other contemporary Native American musicians that you and your classmates researched?
This culminating activity allows all students to apply and synthesize their learning from each other, to build a response together to the overarching question posed at the beginning of the inquiry. In the Evaluate phase, we included a suggestion for students to extend their learning by researching a social issue that is personally relevant and important to them, and to create their own music or other form of artistic expression about the issue.
Thanks to the GID process, our students in 8th grade American Music classes at 27 Middle Schools across the district now have an inquiry-based learning opportunity that is both engaging and rigorous. Feedback from the music teachers who implemented this model during the 2016-17 school year has been really positive, and they report that this was a MUCH more rich and meaningful learning experience for their students than the previous ORM was.
I welcome your feedback about this research model! NOTE: Please excuse any broken links in this ORM; I did make a few updates since my last blog post before sharing with you here today, and any remaining broken links will be updated during our Summer Curriculum workshop beginning next week. We are looking forward to designing more ORMs like this one this summer!
Kelly Ray, BCPS